Sacred Choral Compositions
He is always keen to compose for particular occasions.
He has had his compositions performed at Peterborough Cathedral and Selwyn College, Cambridge.”
A New Year Prayer
SATTBB -
A Wondrous Thing
SSAA or SATB + SA soloists -
All men are like grass
SATB + organ -
Première Performance by the Finedon Festival Chorus,
2012
Birds and Lilies
SATB + T soloist + organ -
Come, Holy Ghost
SATB -
Première Performance by St Cuthbert’s Church
Choir, Wood Green, London, 1974
Evening Service in B flat
SATB -
Evening Service in G
SATB + organ -
Foxes and Birds
SATB + organ -
Honour and Glory
SATB + organ -
Hymn to St George
SATB -
Hymn to St John the Baptist
SATB -
Hymn to St Mark
SATB -
Hymn to the Nativity
SATB -
Première Performance by Occasional Anthem,
Milton Keynes, 2017
Invocation of the Holy Spirit
SATB -
Lullaby (1974)
Unison voices + piano -
Lullaby (2009)
Double SATB -
O Magnum Mysterium
SSAATTBB -
Oh, taste and see
2 voices -
Première Performance by Occasional Anthem,
Milton Keynes, 2013
On the last day
Unison voices + piano -
Passion according to St Luke
SATB + SATB soloists + flute, oboe, tuba, ’cello & tubular
bells -
Preces and Responses
SATB -
Psalm 22 -
Psalm 51 -
Psalm 100 -
Première
Performance by St Mary’s Church Choir Finedon,
Peterborough Cathedral, 2017
Psalm 117 -
Psalm 130 -
Psalm 131 -
Psalm 133 -
Psalm 134 -
Psalms 133 & 134
a combination of the above two pieces
Double SATB -
The Seven ‘Great O’ Antiphons
SATB -
The Seven Last Words
Double SATB -
The Spirit of the Lord God is upon me
SATB -
Première Performance
by Occasional Anthem, Milton Keynes, 2013
To remedy the fall
SATB -
Watchful, faithful, joyful
SATB -
Where shall I go from your spirit?
SATB -
Première Performance by
Occasional Anthem, Milton Keynes, 2016
With a glorious eye
SATB + organ -
“Page obviously knew the resource for which he was writing. There is some very effective composition here and I think that it works well in both the SSAA and SATB versions.”
Organist Emeritus, Chichester Cathedral
“I stand in wonder of Page’s very special piece of work ... It surely holds together really well ... and speaks with a different and distinctive voice ... It obviously has considerable power of expression.”
FRCO FRSCM
Organist Emeritus, Chichester Cathedral
“Lullaby works well in both versions and the music suits the words very well. Page seems always to take great care over that. I like very much the opening and the use of bars with three and four beats which ... is very successful in reflecting the anguish underlying the joy in the words.”
Organist Emeritus, Chichester Cathedral
